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Tag: post production (page 1 of 13)

The Art of Editing a Love Movie — Command+Edit Podcast Episode 88

Hey there!

Nick and I are back with a brand new special episode of the Command+Edit Podcast. We dive into the art of editing a love movie.

We chat about how to edit a love-making scene, editing a first date conversation, editing a breakup scene, Whiplash, Titanic, Requiem for a Dream, and much more. Give it a listen below:

If you enjoyed this conversation and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 🙂

– Josh

Music for Command+Edit episodes are  from Soundstripe. Use the code EVF for 10% off!

Please note some of the links above are affiliate links. This means if you purchase something through them I’ll get a small commission at no extra cost to you.

Fighting Decision Fatigue as a Video Editor

Fighting Decision Fatigue as a Video Editor

Wayyy back when I wrote a post called something like, “Done is Better than Perfect”. The TL;DR of it was that most of the time getting a video project out the door and delivered is better than having a perfect video project. Getting your video over to your client, director, producer, or audience is more important than having the video be 100% flawless.

The perfect video project simply doesn’t exist (unless you count Interstellar which by all accounts is the greatest movie ever made 😉). There will always be adjustments you could make. There could always be shots that need more color correction. More audio that needs sweetening. Different pacing, shot selection, etc. The thing about videos is that we’re making a 1,000-piece puzzle with 10,000 pieces while not being able to see the box to see what we’re supposed to be creating.

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Change Color of One Letter in After Effects — EVF Tutorial

This tutorial teaches how to change the color of just one letter or word in a line of text in After Effects. I show you two ways to do this. The first way is for static, one-time change of a color. The second way is to change the color over time (aka keyframing it).

Check out a previous tutorial I made that shows how to do this for an entire line of text here.

Music used in this video, “Upper East Side” by Mikey Geiger, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

 

Locked vs. Unlocked Tracks in Avid Media Composer — EVF Tutorial

What is the difference in locked and unlocked tracks in Avid Media Composer?

This video explains locked and unlocked tracks in Avid Media Composer. It is a companion tutorial for Lesson 4 of the Mastering Avid Media Composer’s Keyboard Shortcuts Series. Knowing this concept will keep you from knocking your clips out of sync. 👊🏼

(all of this ⬇️ is explained in the video ⬆️)

You have the choice to lock or unlock a timeline track. I highly recommend locking your tracks. In fact, I pretty much only edit with my tracks locked. There are a handful of times where it’s more useful for me to unlock them but 99% of the time they’re locked.

When you “lock a track” in After Effects or Premiere Pro it means you cannot make any changes to it. That’s not what this is in Media Composer. Locking tracks syncs the given timecode for all locked tracks, locking them together so if you make changes (i.e. adding or removing time to a track by editing in or editing out a clip) to one then you make changes to them all.

Here’s a scenario: You have clips on V1 and V2 and the tracks are locked. Both clips begin at 01:02:20:14 and end at 01:02:24:14 – they’re 4 seconds long. If you have V1 selected and you extract from 01:02:21:10 to 01:02:22:10 (1 second) then the clips on V1 and V2 shorten by a second. Both clips would end at 01:02:23:14. If the tracks were unlocked however the clip on V1 would shorten to 3 seconds and the clip on V2 would remain the same.

I find that more times than not I want everything on the timeline to react together. If I shorten a clip on V1 at 01:03:00:00 I don’t want to have to think about the rest of the clips further down the timeline that are synced up with clips and audio on other tracks getting knocked out of alignment.

Locking tracks keeps you from unintentionally knocking your timeline out of sync. It takes some time to wrap your head around it but IMO it’s the safest, quickest and best way to edit. Leave me a comment if you’re confused about anything.

Music used in this video, “Endless Summer” by Mikey Geiger, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Copy and Paste in Premiere Pro — EVF Tutorial

How to Copy and Paste clips in Premiere Pro

This video will show you two ways to copy and paste clips in your timeline in Premiere Pro.

TL;DR select clips, hit Cmd/Ctrl+C to copy, move time position indicator to where you want to paste the clips then hit Cmd/Ctrl+V. Or, select clips, hold Opt/Alt then click on clips again and drag to where you want them to go. The video explains it a bit better than that though 👊🏼

Music used in this video, “Electric Love” by PALA, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Crash Course on Editing in Premiere Pro — EVF Tutorial

This video is a crash course on getting started in Premiere Pro.

I’ll take you through creating a new project, creating and organizing bins, importing footage, creating a sequence, different methods of editing clips into your timeline, basic trimming, keyboard shortcuts, adding graphics, adjusting effect parameters, creating titles, keyframing, adjusting audio levels, adding music, adding effects such as gaussian blur, color correction, the Lumetri Color panel, the Lumetri Scopes panel, how to export and much, much more!

Phew. Did you catch all that? All of that is jammed into one video. If you’re new or newish to Premiere Pro or just want a refresher in case you missed something along the way this video is for you.

Music used in this video, “Hey Hi Hello” by Mikey Geiger, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Combine Multiple Videos into One Video in Adobe Media Encoder — EVF Tutorial

This tutorial explains how to combine multiple videos into one video using Adobe Media Encoder. You can do this in seconds instead of jumping into Premiere or another NLE and stitching them together.

Music used in this video, “Royal” by Neon Beach, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Watch Me Edit in Premiere Pro — Ep. 001

Hi there! This is a completely new style video for this channel. Watch me edit a vlog for my other YouTube channel in Premiere Pro.

Grab some popcorn and let’s go!

Watch the final edited video I created in this video here

Music used in this video, “Ocean Waves” by PALA, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Show If Clip Has Been Used and Find Where It Is in Premiere Pro — EVF Tutorial

This tutorial shows you how to see if a clip (video, audio, music, title, .psd, etc.) has been used in your Premiere Pro sequence and if so where to find it in your sequence.

Open up any bin. Change it to icon view. If there’s a gray icon in the lower right corner of the clip it has NOT been used. If there’s a blue icon it HAS been used. Clip on the blue icon to reveal where it has been used. That’s it! Easy peasy.

Music used in this video, “Zipline Zebra” by Mikey Geiger, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Fix Offline Title in Avid Media Composer — EVF Tutorial

This tutorial explains how to fix an offline title in Avid Media Composer two different ways. If you have a title that is offline, there’s no need to worry. You can fix it in seconds. I show you how in this video.

Music used in this video, “Paper Trail” by Travis Loafman, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh