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Tag: post production (page 1 of 11)

The Art of Editing a Love Movie — Command+Edit Podcast Episode 88

Hey there!

Nick and I are back with a brand new special episode of the Command+Edit Podcast. We dive into the art of editing a love movie.

We chat about how to edit a love-making scene, editing a first date conversation, editing a breakup scene, Whiplash, Titanic, Requiem for a Dream, and much more. Give it a listen below:

If you enjoyed this conversation and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 🙂

– Josh

Music for Command+Edit episodes are  from Soundstripe. Use the code EVF for 10% off!

Please note some of the links above are affiliate links. This means if you purchase something through them I’ll get a small commission at no extra cost to you.

Change Color of One Letter in After Effects

This tutorial teaches how to change the color of just one letter or word in a line of text in After Effects.

I show you two ways to change the color of text in After Effects. The first way is for static, one-time change of a color. The second way is to change the color over time (aka keyframing it).

Check out a previous tutorial I made that shows how to do this for an entire line of text here.

Music used in this video, “Upper East Side” by Mikey Geiger, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Locked vs. Unlocked Tracks in Avid Media Composer — EVF Tutorial

What is the difference in locked and unlocked tracks in Avid Media Composer?

This video explains locked and unlocked tracks in Avid Media Composer. It is a companion tutorial for Lesson 4 of the Mastering Avid Media Composer’s Keyboard Shortcuts Series. Knowing this concept will keep you from knocking your clips out of sync. 👊🏼

(all of this ⬇️ is explained in the video ⬆️)

You have the choice to lock or unlock a timeline track. I highly recommend locking your tracks. In fact, I pretty much only edit with my tracks locked. There are a handful of times where it’s more useful for me to unlock them but 99% of the time they’re locked.

When you “lock a track” in After Effects or Premiere Pro it means you cannot make any changes to it. That’s not what this is in Media Composer. Locking tracks syncs the given timecode for all locked tracks, locking them together so if you make changes (i.e. adding or removing time to a track by editing in or editing out a clip) to one then you make changes to them all.

Here’s a scenario: You have clips on V1 and V2 and the tracks are locked. Both clips begin at 01:02:20:14 and end at 01:02:24:14 – they’re 4 seconds long. If you have V1 selected and you extract from 01:02:21:10 to 01:02:22:10 (1 second) then the clips on V1 and V2 shorten by a second. Both clips would end at 01:02:23:14. If the tracks were unlocked however the clip on V1 would shorten to 3 seconds and the clip on V2 would remain the same.

I find that more times than not I want everything on the timeline to react together. If I shorten a clip on V1 at 01:03:00:00 I don’t want to have to think about the rest of the clips further down the timeline that are synced up with clips and audio on other tracks getting knocked out of alignment.

Locking tracks keeps you from unintentionally knocking your timeline out of sync. It takes some time to wrap your head around it but IMO it’s the safest, quickest and best way to edit. Leave me a comment if you’re confused about anything.

Music used in this video, “Endless Summer” by Mikey Geiger, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Premiere Pro Crash Course

This video is a crash course on Premiere Pro.

I’ll take you through creating a new project, creating and organizing bins, importing footage, creating a sequence, different methods of editing clips into your timeline, basic trimming, keyboard shortcuts, adding graphics, adjusting effect parameters, creating titles, keyframing, adjusting audio levels, adding music, adding effects such as gaussian blur, color correction, the Lumetri Color panel, the Lumetri Scopes panel, how to export and much, much more!

Phew. Did you catch all that? All of that is jammed into one Premiere Pro crash course. If you’re new or newish to Premiere Pro or just want a refresher in case you missed something along the way this video is for you.

Recommended Viewing: Watch Me Edit in Premiere Pro

There is so much more to Premiere Pro and this crash course just scratches the surface. I hope these 22 minutes can get you started (or refreshed) in Premiere and give you a fighting chance on your first project.

If/when you get stuck, reach out. Let’s figure this thing out together. Also check out my friends at Premiere Bro — they have a ton of resources, tutorials, and news about Premiere Pro.

The music used in this video was “Hey Hi Hello” by Mikey Geiger. It was purchased and licensed through my friends at Soundstripe (affiliate link).

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Combine Multiple Videos in Adobe Media Encoder

This tutorial explains how to combine multiple videos into one video using Adobe Media Encoder. You can do this in seconds instead of jumping into Premiere or another NLE and stitching them together.

Other Recommended Viewing: A Crash Course on Editing in Premiere Pro

The TL;DR on this is to select all your files first. Drag them the videos you want to combine into Adobe Media Encoder. Before letting go of the mouse, in the Queue panel, drop them onto the section that says, “Drop here to stitch clips together”.

Combine Videos in Adobe Media Encoder

Drag the files onto “Drop here to stitch clips together”

Boom! That’s the gist of it.

Music used in this video, “Royal” by Neon Beach, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial, let’s stay in touch! If you want to receive an email whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Show Used Clips In Premiere Pro

This tutorial teaches you how to show used clips (video, audio, music, title, .psd, etc.) in your Premiere Pro project and if so then where to find them in your sequence(s).

Recapping How to Show Used Clips in Premiere Pro

Open up the bin who’s clips you want to see if they’ve been used. In order to do this, first change the bin to icon view. If there’s a gray icon or no icon in the lower right corner of the clip it has not been used. If there’s a blue icon then the clip has been used.

Premiere Pro bin in icon view

Blue icon in the corner means it’s been used. Gray or no icon means it has not been used.

Click on the blue icon to reveal where it has been used. Lastly, click on the selection options that appear and as a result you’ll be taken to that point in the sequence. That’s it! Easy peasy.

Premiere Pro bin clicking blue icon to show where clip has been used

Click on the blue icon to show in what sequence(s) and where it was used.

Recommended Viewing: Copy and Paste in Premiere Pro

“Zipline Zebra” by Mikey Geiger was the music used in this video. It was purchased and licensed through my friends at Soundstripe (affiliate link).

I hope you enjoyed this tutorial. Do you want to stay in touch whenever I come out with a new post, podcast, video, newsletter, etc.? Go here to signup. No spam. Ever. Just the good stuff. 😀

– Josh

Fix Offline Title in Avid Media Composer

This tutorial explains how to fix an offline title in Avid Media Composer two different ways. If you have a title that is offline, there’s no need to worry. You can fix it in seconds. I show you how in this video.

Here’s a quick recap of the video that explains how to fix an offline title in Avid Media Composer:

Offline Title in Sequence — Method #1

  1. Place your time position indicator (the blue bar in the timeline) over top of the offline title.
  2. Go to the Clip menu at the top and select Re-create Title Media.
  3. Select the bin and resolution.
  4. Boom! You got yourself a title that’s now online.

Bonus Tip — Under the Timeline’s Fast Menu, select Clip Color and make sure Offline is checked. This will show you offline clips in red in your timeline.

Offline Title in Bin — Method #2

  1. Select offline title in the bin.
  2. Go to the Clip menu at the top and select Create Unrendered Title Media.
  3. Boom! You got yourself a title that’s now online.

Recommended Viewing: Title Tool Shortcuts Tutorial for Avid Media Composer

The music used in this video was “Paper Trail” by Travis Loafman. It was purchased and licensed through my friends at Soundstripe (affiliate link).

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Prevent Offline Media Using Media Creation Settings in Avid Media Composer — EVF Tutorial

This tutorial explains how to use Avid Media Composer’s Media Creation settings to prevent offline media. MC’s Media Creation settings allows you to set what drive and resolution media is created to. TL;DR set this drive and resolution when you first open up a project so the next time you open the project none of your media is offline because it was created to the correct drive.

Music used in this video, “Back To My House” by PALA, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Add Edit in Premiere Pro — EVF Tutorial

This tutorial explains how to perform an Add Edit in Premiere Pro similar to how you would in Avid Media Composer. There’s a number of ways to do this and it varies from how one would do it in Media Composer. All of that is explained in this quick tutorial.

Music used in this video, “Throwback Thursday” by Mikey Geiger, was purchased and licensed through my friends at Soundstripe (affiliate link). For 10% off a subscription use the code EVF at checkout.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh