My assistant editor is learning a valuable lesson in her young career. She’s learning that when she’s video editing for others, it isn’t necessarily about her sense of creative expression. It’s more about what the producer, client, or director wants. This can be extremely difficult for new, passionate video editors.
Video editing, like any other kind of commissioned artwork I’m assuming, has this weird blurred line. Is the end result what the creator (in our case the video editor) wants or is the end result what the commissioner (producer/director/boss/client/etc.) of the piece wants?
Being a Passionate, New Video Editor
When we’re new editors we have this untarnished vision of editing. We want to craft the perfect video. We’ll work all night without whining and we’re proud of what we created. We’re somewhat fragile though. We’re hurt when we go for the murder session and are told change this and that and all these other things. Not hurt too badly, just enough to bring up some emotions under the surface. We thought we listened to the exact instructions we were given and thought we created this video for them exactly how they wanted it with a touch of our creative flare mixed in. And we probably did. Then they changed their mind.
Making Revisions When Editing for Others
So we revise the video. We trim here and there, change the circle to a square (even though the script says circle!) and “fix” whatever other shortcomings there were in their eyes. It feels good now. We watch the video and it’s better. We don’t admit it but yeah, it’s a little better. We’re still ticked that we had to remove that cool effect we spent an hour on but we let it go.
Review time again. What happens? They now want X, Y and Z! These are all new things that have never ever ever ever been mentioned. The deadline is looming and we can’t believe they asked for this.
Late afternoons turn into late nights turn into early mornings and missed lunches. We add in X, Y and Z as quickly as we can and we aren’t proud of it anymore. The video has regressed into a collage of our original video, squares that should be circles and X, Y and Z which were dumb ideas anyway. The deadline hits and the client is moderately happen. They *like* the video. They’ll settle for what we gave them.
And what are we left with? Bad pieces on our demo reels, sleep deprivation/coffee addiction and awkward/tolerable relationships with clients.
That’s what editing for others is. But we edit for others so one day we can edit for ourselves. We edit for others so that we can learn software and have access to the software, hardware and relationships we’ll need to edit for ourselves.
What’s the Alternative to Video Editing for Others?
Editing for ourselves we can make whatever we damn well want. That’s why I work for free sometimes. I can pretty much edit anything I want. It does not pay the bills but it pays the emotional toll that video editing for others took out of me.
I can put some pieces I’m proud of on my demo reel if I had one (that’s for another post). I secretly enjoy the sleep deprivation and coffee addiction. And I can build rock-solid relationships with those that I create my artwork for. That’s why we edit for ourselves.
Video editing for others will slowly make us jaded, curmudgeon editors I’m sure (hey, I’m only 27). I’m pretty jaded and curmudgeon-y now. But I brush off the emotional hits to my ego after rounds of revisions because I know in the end editing for others gets me to edit for myself.
One day editing for myself will pay the bills, I’m sure of that. Today isn’t that day and I don’t mind it. Until then though I’ll keep figuring out what documentary I’m going to make. I’ll make those circles into squares and add in X, Y and Z even if they are pointless. Because deep down, I’m editing for myself.
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