This is the second lesson in a series on mastering Avid Media Composer’s keyboard shortcuts. In each lesson we tackle a handful of shortcuts that should be learned and practiced until the next lesson in a few days. This isn’t just any list of shortcuts. For many of them I’ll explain how they work and how I use them everyday as an editor.
Lesson 1 was on Media Composer’s Tools. Lesson 2 is on Marking and Playing. These are some of the most basic shortcuts I want you to learn. Some other shortcuts (Z, X, V, B, etc.) you can do damage to your timeline by accidently doing something you weren’t expecting. With these shortcuts the worst thing you can do is clear an In or Out Point. Let’s get started!
Mark In Point
Shortcut: E or I
Marking an In Point is one of the must learn keyboard shortcuts. Media Composer works on three-point editing. Basically you need two In Points and an Out Point or vice versa. Put an In and Out Point on the clip in the Source Monitor then an In Point on the Timeline then hit Splice-In or Overwrite Edit and the clip from the Source Monitor gets edited onto the Timeline. Kind of make sense? There’s a bit of a hierarchy when it comes to In and Out Points and three-point editing but that’s for another lesson.
Even though I stand up here on my soapbox preaching about how important keyboard shortcuts are you will still use the mouse. It’s inevitable. So if you’re right-handed you will generally have your left hand on the keyboard. If so you’ll find you use “E” way more than “I” to mark an In Point. I however am I lefty so my right hand is always on the keyboard. That means I use the “I” key to mark an In Point more often. The same goes with our next shortcut.