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Category: Video Producer (page 1 of 1)

Naptime Blog Update

Since my son was born this summer I’ve found it difficult to find time for anything that doesn’t revolve around him, my wife, my dog, my 9-5, or the mountain of bottles I need to wash that seems to never disappear next to my sink.

For the past 6 ½ years I’ve been living separate lives from my home/office lives through my various blogs and online platforms. It’s disheartening to see my projects grow cobwebs.

After some self-reflection while a 17lb tiny human slept on my chest I realized I’m letting perfection and the size of what I want to create get in the way. In my mind I want everything I create to be near flawless and be of substantial length.

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Music License Tracking Spreadsheet — Free Download

This article is for video editors, video producers, and video professionals that need to track stock music. It contains a free download of a stock music license tracking spreadsheet. Enjoy!

Hey Team!

Recently I noticed a problem that I have as a video editor and video producer. There are a couple hundred stock music tracks I’ve downloaded and/or purchased over the years to use in all sorts of projects. But outside of a consistent file naming convention I had no way of tracking what is being used where. On top of that, there is other data that would be good to have in one place that’s associated with the music.

So I did something about it. Like what any good digitally-OCD person would do I made a spreadsheet. And I’d like to share it with you. Use the link below to get your stock music license tracking spreadsheet.

This is a link to a Google Sheet. Go here to view and download a copy for yourself.

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Why Being A Video Producer Is A Lot Like Being A Waiter

Quick background: I’ve been editing professionally in the corporate world for nearly 10 years now. Over the past year I’ve started to take on more and more producing roles with my company and for freelance projects I’ve worked on. Now I’m full-time producing while freelance video editing and writing on nights and weekends. I’m still very, very new in my mind to this whole producer thing. But so far, I think I’ve done a good job (and I feel like most of the people I’ve worked with would say that’s being modest). Also, I worked in the restaurant industry for nearly a decade busing tables, working the fryer, washing dishes, bartending, and of course waiting tables. So I have a fair amount of personal history to draw from.

My theory is: being a video producer is a heck of a lot like waiting tables.

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