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Tag: Avid Media Composer tutorial (page 1 of 1)

Black and White Video Tutorial in Avid Media Composer

This tutorial shows how to create black and white video in Avid Media Composer using the Color Correction tool. It also teaches how to keyframe the saturation of a clip so you can change from full color to black and white over time.

Recapping the Tutorial

Make Video Black and White

Place the time position indicator over your clip. This is the blue bar in the timeline. Make sure that track is selected. I tend to turn off the other tracks. You can use the keyboard shortcut of Command+Shift+A (Mac) or Control+Shift+A (PC) to deselect all tracks. Then use the appropriate track selection keyboard shortcut if there is one to select the track.

In the Windows menu, find Workspaces then select Color Correction. This will open up the Color Correction Tool. Under the HSL tab, select the Controls panel (I think this is called a panel? Maybe not. Just hit the Controls button 😅). Now find Saturation and make it a value of zero. You can drag the slider all the way to the left or type in 0 in the space under Saturation. This clip is now black and white! You’ll see there’s now an effect icon on the clip in the timeline.

Keyframing Black and White Video Effect

Let’s say we want to keyframe this effect so we go from color to black and white or vice versa over time.

Open the Effect Controls Tool. There’s an icon for it in the Color Correction Tool. Move the time position indicator to the part of the clip where you want your effect to start. I find it easier to move it inside the Effect Controls Tool and in the Timeline in this instance. Next in the Effect Controls Tool twirl down HSL, Controls, and Master. Find Saturation. Now right-click in the space to the right for Saturation in the Effect Controls Tool (see video above if you need help finding this!) and choose Add Keyframe.

Next move the time position indicator to where you want the video to go to black and white. Right-click in the space to the right for Saturation in the Effect Controls Tool and choose Add Keyframe. Then change the Saturation amount to zero (0). Go back to Source/Record Mode and playback your masterpiece. That’s how to create black and white video in Avid Media Composer!

Suggested Viewing: Fixed vs. Elastic Keyframes in Avid Media Composer Tutorial

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– Josh

Using the Timecode Window in Avid Media Composer — EVF Tutorial

This tutorial teaches you what Avid Media Composer’s Timecode Window is and how to use it. This tool is hidden by default but can provide you with a ton of useful information while you edit your videos. You’ll learn how to change the display of the tool, how to add lines of information like the duration of a timeline and what lines of information could be useful to have available to you.

If you enjoyed this tutorial and want to stay in touch whenever I come out with a new post / podcast / video / newsletter / etc. you can go here to signup. No spam. Ever. Just the good stuff 😀

– Josh

Batch Exporting in Avid Media Composer

This article details how to perform batch exporting in Avid Media Composer.

The other day I had to export nine different parts of a training course I was editing in Avid Media Composer for one of my clients. Media Composer isn’t like Premiere where I can add a bunch of videos or sequences to a Queue in Adobe Media Encoder. From inside a sequence you have to export them one at a time. This isn’t convenient for anyone. In this project in particular I’d have to go back and check every 20-30 minutes and then go and export the next video. However there’s a trick you can do to batch export out of Media Composer and I’m going to explain that in this post. In fact, this trick is allowing me to write this blog post then go take lunch outside at a park next to the Potomac River.

Getting Started with Batch Exporting

Let’s jump right in. What is batch exporting in Avid Media Composer? How do you do it? Instead of exporting from a sequence we’re going to export from a bin. And to export from a bin we need to create copies of our master sequence(s) that we want to export.

To begin create a new bin. Label it something like, “For Export Only”. Take your master sequence, set in and out points and select just the tracks you want to export. If it’s all tracks, select every track (Hit Cmd/Ctrl+A to quickly do this).

Next duplicate your master sequence. Highlight it in the bid and hit Cmd/Ctrl+D to do this. Move the duplicated version into your For Export Only bin. Rename the duplicated version of your master sequence to the filename you want it to have upon export (i.e. abc-course-part1-v01-170418) but without the file extension. Go back to your master sequence(s) and repeat as needed until you have a bin full of sequences you want to export; each with their in and out points set and tracks selected.

Almost Ready to Export

Close out of every bin expect your For Export Only bin. You don’t have to do this but I’m OCD about screen real estate and digital clutter. Then select all the sequences in your For Export Only bin. Right-click on the sequence icon for any of them (it’s the little film stripe next to the name of the sequence).

In the menu that pops up find Export (pre V8.5ish) or Output (post V8.5ish; the name changed somewhere around MC v8.5). If you’re on an older version of MC it’ll open a dialogue box up immediately. If you’re on a newer version you will have to go into a sub-menu in Output then you choose Export to File… Once you do this the same dialogue box will pop up as in the older versions of MC.

Export... Menu in Avid Media Composer

Pre Version 8.5(ish)

Export to File... Menu in Avid Media Composer

Post Version 8.5(ish)

Export As... Window in Avid Media Composer

This is the box that’ll open after selecting Export or Export to File…

Ready to Batch Export!

Navigate to where you want to files to go like a watch folder or an exports folder or just somewhere on your hard drive. Then go to your export settings at the bottom of the box. Set your export preset to a QuickTime Movie or whatever you want to export it as for you to then compress in Adobe Media Encoder or Sorenson Squeeze or another compression software. Go into it’s options (click the Options… button) and make sure Use Marks and Use Selected Tracks are checked (this might say “Use Enabled Tracks” in newer versions of MC…I’m still on 8.4.4!). Doing this means that you are MC to export the enabled tracks and in and out points you set for each sequence.

QuickTime Movie Export Settings in Avid Media Composer

Make sure Use Marks and Use Selected Tracks are checked.

Click Save in the export settings then Save again in the Export As… dialogue box to begin batch exporting in Avid Media Composer.

Next go to your favorite local lunch spot and relax while Media Composer does it’s thing. Where am I going? Perfect Pita 🙂

I hope you found this quick tutorial helpful. If you have any questions please leave them in the comments below or shoot me a message here.


P.S. If you’re new around here and want to know more about EVF and learn more helpful tips and tricks on being a faster video editor go to this page to begin your journey. And please never be shy if you have a question or just want to chat about editing (or baseball!).

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23 Posts about Video Production, Post Production, Avid and More

23 Posts on Post

I’ve been writing for my friends over at ScreenLight for…well…a long time. It’s been over two years and in the Internet world that’s a really long time. Over that time I’ve been able to stockpile a bunch of writings that I want to share with you today. 23 of them to be exact.

The posts range from Media Composer tips to the Pomodoro Technique for time management to Apps for Editors and so much more. I’ve broken them up into a couple of categories. At the very top are a few of my favorites and ones I think you should definitely read.

My Favorite Posts

The Edit Bay – A Romanticized View of One Editor’s Relationship With Four Walls

Video Editor is Not a Synonym for Motion Graphics Artist

Editor: The Amateur vs. The Professional

How to Setup a Video Company on a Realistic Budget

Read more

Bins Setup for New Projects in Avid

Hey there! This quick tutorial is on how I setup my bins and folders for new projects in Avid Media Composer. Everyone works differently so if you do something different share it below and why!

Recapping Tutorial on Bins Setup for New Projects in Avid Media Composer

First I create all of the folders. The folders are: 01_Sequences, 02_Audio, 03_Graphics, 04_Footage, and 05_Old.

In the 01_Sequences folder I create two bins — Master Sequences and Working Sequences. The 02_Audio folder gets bins labeled Music, SFX, and VO.

The 03_Graphics folder gets the following bins:

  • FFs (Shorthand for Freeze Frames)
  • FX (Shorthand for Effects)
  • Imports
  • Quick Transitions
  • Titles

The 04_Footage folder gets a bin for each day of filming. For example I would name a bin FTG-210525 for the footage filmed on May 25th, 2021. I also create an All for Sift bin. All the clips in the FTG-… bins will be Opt/Alt+dragged into the All for Sift bin so all my footage is in one place (mirrored) and it’s left in it’s original dated bin for reference.

The 05_Old folder gets a bin labeled Old Sequences. If this bin gets too large I’ll make an Old Sequences 2 bin.

Bonus Tip: To close all bins at once, select a bin then go to the Window menu and choose Close All Bins.

That’s how I do my bins setup for new projects in Avid Media Composer. Do you do something different? I’d love to hear about it in the comment section below.

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